Metropolis Pt. 2: Scenes from a Memory

For the Chris Burden kinetic sculpture, see Metropolis II (sculpture).

Metropolis Pt. 2: Scenes from a Memory
Cover art by Dave McKean
Studio album by Dream Theater
Released	October 26, 1999 (1999-10-26)
Recorded	1999
Studio	BearTracks Studios in Suffern, New York
Genre	Progressive metal progressive rock
Length	77:06
Label	Elektra
Producer	John Petrucci Mike Portnoy
Dream Theater chronology
Once in a LIVEtime (1998) Metropolis Pt. 2: Scenes from a Memory (1999) Live Scenes from New York (2001)
Dream Theater studio album chronology
Falling into Infinity (1997) Metropolis Pt. 2: Scenes from a Memory (1999) Six Degrees of Inner Turbulence (2002)
Singles from Metropolis Pt. 2: Scenes from a Memory
"Through Her Eyes" Released: February 2000

Metropolis Pt. 2: Scenes from a Memory is the fifth studio album and first concept album by American progressive metal band Dream Theater, released on October 26, 1999, through Elektra Records. It was recorded at BearTracks Studios in Suffern, New York, where the band had previously recorded their second studio album, Images and Words (1992), and the EP A Change of Seasons (1995).

The album is the sequel to "Metropolis—Part I: 'The Miracle and the Sleeper'", a song featured on the band's 1992 album Images and Words. It was the first album to feature Jordan Rudess on keyboards.

For the album's twentieth anniversary, the band performed the album live in its entirety throughout the Distance over Time Tour (as documented on Distant Memories - Live in London).

History

Fans had previously requested a sequel to the song "Metropolis—Part I" from Images and Words, but the band had not yet been able—nor had they originally intended—to make one. The "Part I" was added by Petrucci as a joke. With the sessions for Falling Into Infinity (1997), the band recorded a 21-minute instrumental demo of "Metropolis Pt. 2" (which Mike Portnoy later released via his YtseJam Records site along with the other Falling Into Infinity demos), but this did not make it onto that album. The demo, which included several musical citations from "Metropolis—Part I" and featured many motifs that would later appear on Metropolis Pt. 2: Scenes from a Memory (most notably the majority of "Overture 1928" and "Strange Deja Vu" and parts of "The Dance of Eternity" and "One Last Time"), was however significantly different from the finished album version in most parts.

At some point during the mixing sessions for their 1994 album, Awake, keyboardist Kevin Moore left Dream Theater. Accordingly, They held auditions for keyboardists. Initially, Jordan Rudess played one concert with them on September 9, 1994, but wasn't yet considered a Full-Time member due to commitments to another band, the Dixie Dregs and his job at Kurzweil Music Systems. Once more, they held another round of auditions for keyboardists, and in October 1994, they selected Derek Sherinian as a touring keyboardist, then promoted him to full-time member in February 1995. His time in Dream Theater yielded an EP (A Change of Seasons), one studio album (Falling into Infinity), and one live album (Once in a LIVEtime). As such, Sherinian provided synth work for the "Metropolis Pt. 2" demo recorded during the sessions for "Falling Into Infinity".

While Dream Theater had to promote that album with Sherinian, their drummer Mike Portnoy and guitarist John Petrucci had a side-project named Liquid Tension Experiment, which also counted with the help of bassist Tony Levin and returning session keyboardist Jordan Rudess.

Portnoy and Petrucci then convinced bassist John Myung and singer James LaBrie to have Jordan Rudess join, and Derek Sherinian was fired from Dream Theater via conference call. (Portnoy and Petrucci have stated that while it was an uncomfortable and unattractive situation, they didn't want to ask Derek to fly from Los Angeles to New York only to be fired.)

After his departure, the band went back to BearTracks Studios in Suffern, New York, to record their new album, previously the site of recording for Images and Words (a photograph of Beartracks is featured on the album's back cover, meant to represent the house in the album). After the commercial failure of Falling Into Infinity, their record label gave the band free rein over their new album's direction, which led the band to finally finish the story. The final version of the story became a concept album, dealing with the story of a man named Nicholas and the discovery of his past life, which involves love, murder and infidelity as Victoria Page, and as such was heavily inspired by the 1991 film Dead Again, more so than "Metropolis—Part I".

Following the album's release, the band embarked on an extensive world tour, and at a show in New York City the band hired actors to perform the narrative elements of the album whilst they played. The performance was recorded and was released in 2001 as the Metropolis 2000 live DVD. In 2011 the album was released on LP for the first time to celebrate Record Store Day. In 2019, the twentieth anniversary of the release of Metropolis Pt. 2: Scenes from a Memory, Dream Theater performed it live in its entirety alongside material from their fourteenth studio album, Distance over Time. The Distance over Time tour was documented as well and released in November 2020.

Synopsis

Act I

Metropolis Pt. 2: Scenes from a Memory opens to Nicholas, a troubled man going through past life regression therapy. In a hypnotic trance induced by his hypnotherapist, he begins to see a girl named Victoria Page (her full name is in the CD booklet and was shown during the 2019 tour, when the album was performed in its entirety) and a life that feels strangely familiar, despite the fact that he has never been here. ("Regression") He learns that she was murdered, and that he was Victoria in a past life. ("Strange Deja Vu") He begins to believe that Victoria is haunting him to reveal the truth about her murder. ("Through My Words") Nicholas is able to recall that Victoria began distancing herself from her lover Julian Baynes (also given last name in 2019 tour video and is also in the CD insert) because of his drinking and gambling addictions; she sought comfort in Julian's brother Edward Baynes and began an affair with him. Nicholas assumes that Julian murdered her out of jealousy and then killed himself, a story backed up by a newspaper article covering the events, which cites a witness' testimony. However, Nicholas begins to doubt this series of events, and converses with an older man who was more familiar with the case (an animated video that played during "Fatal Tragedy" on the 2019 tour heavily suggests he is a reincarnated Julian). He realizes that he will never be able to get on with his own life until he solves her murder. ("Fatal Tragedy"; "Beyond This Life", "Through Her Eyes")

Act II

The second act begins by describing Julian's addictions to cocaine and gambling, which drives Victoria away from him. ("Home") Edward feels guilty about deceiving his brother, but decides that his love for Victoria is greater than his guilt, and he seduces her when she is vulnerable following her breakup. ("The Dance of Eternity") After visiting Edward's old house, Nicholas believes he has solved the mystery: Julian had tried to beg Victoria for forgiveness, and when rebuffed, killed both her and Edward, and positioned himself as the witness in the newspaper article. ("One Last Time") Nicholas comes to terms with what has happened, and bids farewell to Victoria. The hypnotherapist ends the session at this point, despite pleas from Victoria's memories. ("The Spirit Carries On") The narrative then cuts to Edward's perspective, revealing that he wished his romance with Victoria was more than a simple affair. As Victoria begins to reconcile with Julian again, Edward confronts the two of them, murders them, then stages the scene and assumes the role of the witness for the newspaper column. The flashback includes Edward telling Victoria to "open [her] eyes" before killing her, echoing the same words the hypnotherapist used to wake Nicholas from his hypnotic trance. ("Finally Free") In the present, Nicholas arrives home, followed by the hypnotherapist. Nicholas is startled by another request to "open [his] eyes", before the album cuts to (and concludes on) phonographic static. The band confirmed on the Scenes from New York live DVD that the hypnotherapist is Edward's reincarnation, and has killed Nicholas to complete the cycle yet again.

The static that closes this album continues at the beginning of "The Glass Prison", the first song on their next album, Six Degrees of Inner Turbulence (2002), and continuing a chain for their subsequent albums until Octavarium (2005) with the same idea but different closing notes.

Influences

Scenes from a Memory showcased a traditional progressive rock sound. According to the "Making of Scenes from a Memory" video, some of the influences for Metropolis Pt. 2 are the following concept albums: The Who's Tommy (1969), Genesis' The Lamb Lies Down on Broadway (1974), Roger Waters' Amused to Death (1992), Radiohead's OK Computer (1997), Queensrÿche's Operation: Mindcrime (1988), The Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967), Marillion's Misplaced Childhood (1985), and Pink Floyds' The Wall (1979) and The Final Cut (1983). These albums are shown on a table Mike calls "Inspiration Corner".

Reception

Professional ratings

Review scores
Source	Rating
AllMusic
Collector's Guide to Heavy Metal	8/10
Rock Hard	10/10
Metal Storm	10/10

Metropolis Pt. 2: Scenes from a Memory reached #73 on the Billboard 200 albums chart, #2 on the Billboard Top Internet Albums, #6 on the Finnish Albums Chart and #8 on the German Albums Chart. The album received acclaim from a variety of sources. It was ranked number 95 on the October 2006 issue of Guitar World magazine's list of "The greatest 100 guitar albums of all time". It is ranked as the 15th Greatest Concept Album (as of March 2003) by Classic Rock Magazine. The German Rock Hard magazine voted it Album of the Month, giving a perfect score, and eventually ranked it number 410 in their book The 500 Greatest Rock & Metal Albums of All Time in 2005.

In 2012, the readers of Rolling Stone voted the album into the #1 position of their "Your Favorite Prog Rock Albums of All Time" poll. Scenes from a Memory was ranked by the same magazine at #29 in their list "50 Greatest Prog Rock Albums of All Time."

In 2015, The Prog Report ranked it #3 in the Top 50 Modern Prog Albums 1990–2015.

Jordan Blum of PopMatters called the album "the greatest progressive metal work of all time."

Loudwire named it at #14 in their list "Top 25 Progressive Metal Albums of All Time."

Track listing

All music is composed by Dream Theater, except where noted

Act I

No.	Title	Lyrics	Length
1.	"Scene One: Regression" (music: Petrucci)	John Petrucci	2:06
2.	"Scene Two: I. Overture 1928"	(instrumental)	3:37
3.	"Scene Two: II. Strange Deja Vu"	Mike Portnoy	5:12
4.	"Scene Three: I. Through My Words" (music: Petrucci)	Petrucci	1:02
5.	"Scene Three: II. Fatal Tragedy"	John Myung	6:49
6.	"Scene Four: Beyond This Life"	Petrucci	11:22
7.	"Scene Five: Through Her Eyes"	Petrucci	5:29

Act II

No.	Title	Lyrics	Length
8.	"Scene Six: Home"	Portnoy	12:53
9.	"Scene Seven: I. The Dance of Eternity"	(instrumental)	6:13
10.	"Scene Seven: II. One Last Time"	James LaBrie	3:46
11.	"Scene Eight: The Spirit Carries On"	Petrucci	6:38
12.	"Scene Nine: Finally Free"	Portnoy	11:59
Total length:			77:06

Chart performance

Chart (1999)	Peak position
Dutch Albums (Album Top 100)	28
Finnish Albums (Suomen virallinen lista)	6
French Albums (SNEP)	40
German Albums (Offizielle Top 100)	8
Hungarian Albums (MAHASZ)	13
Norwegian Albums (VG-lista)	28
Swedish Albums (Sverigetopplistan)	44
Swiss Albums (Schweizer Hitparade)	44
US Billboard 200	73
US Top Internet Albums (Billboard)	2
UK Albums (OCC)	131

Personnel

Dream Theater

• James LaBrie – vocals
• John Petrucci – guitars, backing vocals, programming (track 7), production
• Jordan Rudess – keyboard
• John Myung – bass
• Mike Portnoy – drums, background vocals, production

Guests

• Theresa Thomason – additional vocals (tracks 7, 11)
• Gospel choir on track 11 arranged and conducted by Jordan Rudess.
  • Choir: Theresa Thomason, Mary Canty, Shelia Slappy, Mary Smith, Jeanette Smith, Clarence Burke Jr., Carol Cyrus, Dale Scott

Production

• Doug Oberkircher – sound engineering
• Brian Quackenbush – assistant engineering
• Michael Bates – assistant engineering
• Terry Brown – vocals co-production
• Kevin Shirley – mixing engineering (tracks 2–8, 11)
• Rory Romano – mixing engineering assistance (tracks 2–8, 11)
• David Bottrill – mixing engineering (tracks 1, 9, 10, 12)
• Shinobu Mitsuoka – mixing engineer assistance (tracks 1, 9, 10, 12)
• George Marino – mastering engineering
• Eugene Nastasi – mastering engineering assistance
• Lili Picou – art direction and design
• Dave McKean – cover illustration
• Ken Schles – still life photography
• Andrew Lepley – house photography
• Darko Danicic – band photography

External links

• Very detailed analysis of SFAM music and lyrics by Fabien Labonde