The Allnighter is the second solo studio album by Glenn Frey, the guitarist and co-lead vocalist for the Eagles. The album was released in mid-1984 on MCA in the United States and the United Kingdom, two years after Frey's modestly successful debut album No Fun Aloud and four years after the demise of the Eagles. It was and still is Frey's most successful solo album throughout his whole solo career, having reached No. 22 on the Billboard charts, and releasing two top 20 singles with "Smuggler's Blues" and "Sexy Girl". The album achieved gold status by the RIAA in the US. It is generally regarded as the culmination of the smoother, more adult-oriented sound of Frey's solo work.
The single "Smuggler's Blues" helped to inspire the Miami Vice episode of the same name, and Frey was invited to star in that episode, which was Frey's acting debut. The music video for the single also won Frey an MTV Video Music Award in 1985.
When Frey was asked about his song writing partnership with Jack Tempchin, he said at the time that "It’s funny, there are only those certain people where things click — at least for me. He’s very free. I’ll just run some soul licks by him, or I’ll ring him something like The Allnighter, which originally was just about staying up all night. But then we started talking about it and Jack says, ‘Staying up all night can’t play over three or four verses. What if the Allnighter was a guy?’ So, we made him into some woman’s every-guy."[2] The lyrics of "Better in the U.S.A" are opposed to the Soviet Union.[3]
In a contemporary review for The Village Voice, music critic Robert Christgau gave The Alnighter a "C" and panned it as a "smarmy piece of sexist pseudosoul".[3] In a retrospective review for The Rolling Stone Album Guide (1992), Mark Coleman gave the album two out of five stars and wrote that it "glistens with synthesized oomph, but the sugar coating doesn't sit well on Frey's mannered white R&B loverman act."[4] On the other hand, AllMusic's William Ruhlmann retrospectively gave it four-and-a-half stars and said that it departs from the "old Eagles sound" of Frey's last album for a "bluesy, rocking feel."[5]
