Ground Zero (band)

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Ground Zero
Otomo Yoshihide with a guitar
Former band member Otomo Yoshihide
Background information
OriginTokyo, Japan
Genres
Years active1990–1998
Labels
Past members

Ground Zero was a Japanese noise/improvisation band[1] during the 1990s led by the guitarist and "turntablist" Otomo Yoshihide that had a large and rotating group of performers with two other regular performers.[1]

History[edit]

Ground Zero was formed to play the John Zorn game piece Cobra.[2] They first played in August 1990 and last played in March 1998.[2] The band's last project was in 1998 when they re-worked material from a 1992 Cassiber concert in Tokyo; it was released on the second CD of Cassiber's double CD, Live in Tokyo (1998).

Musical style[edit]

The band performed on such instruments as turntables, sampler, shamisen, saxophone, koto, omnichord, electric guitar and two drum kits. They were one of the first free improvising musicians using turntables.[3]

Their music mixed free jazz, improvisation, rock and experimental noise.[2] Their albums include Revolutionary Pekinese Opera ver. 1.28, a sound collage piece combining noise music and samples of peking opera by the Duo Goebbels/Harth, and Consume Red, on which the performers improvise around a short sample of hojok music played by the Korean holy musician Kim Seok Chul.

Discography[edit]

Otomo Yoshihide performing live at Weikersheim, Germany in 2007

Studio albums[edit]

  • Ground Zero (1992)
  • Null & Void (1995)
  • Revolutionary Pekinese Opera (1995)
  • Revolutionary Pekinese Opera Ver. 1.28 (1996)
  • Consume Red (1997)[2]
  • Plays Standards (1997)

Compilation albums[edit]

  • Conflagration (1997)
  • Consummation (1998)

Live albums[edit]

  • Last Concert (1999)[1]
  • Live 1992+ (2007)

Singles[edit]

  • "Live Mao '99" (1995) (split with Bästard)
  • "Revolutionary Pekinese Opera Ver. 1.50" (1996)

References[edit]

  1. ^ a b c Jenkins, Todd S. (2004). Free jazz and free improvisation: An encyclopedia. Westport, Conn.: Greenwood. p. 165. ISBN 978-0-313-29881-3.
  2. ^ a b c d Kelly, Caleb (2009). Cracked Media: The Sound of Malfunction. MIT Press. p. 188. ISBN 978-0-262-01314-7.
  3. ^ Christoph Cox; Daniel Warner (2004). Audio culture: readings in modern music. Continuum International Publishing Group. p. 405. ISBN 978-0-8264-1615-5.

External links[edit]